Bush Theatre, London
EXCERPT: "Tom Holloway's Forget Me Not feels a couple of drafts short of being a better play. The characters are woefully underdeveloped, a fact not helped by the production, which limps along."
Summary
In Australia, Gerry hopes to meet
his mother for the first time. Despite being almost sixty, he has spent his
whole life believing he’s an orphan. In Liverpool, Mary brews a good, strong
pot of tea. Nothing posh. But she’s as nervous as a pig at a butcher’s. Determined
to uncover his past, Gerry and his daughter Sally embark on an extraordinary
journey home – halfway across the world – in a precarious bid to bring their
family together.
Thoughts
Tom
Holloway's Forget Me Not feels a couple of drafts short of being a better play.
The characters are woefully underdeveloped, a fact not helped by the
production, which limps along. The play's plot entirely hinges on a situation
which could be emotionally very engaging if it wasn't for the fundamental
emptiness behind the characters. Their only backstory is in relation to this
particular situation, we get no sense of them as being people. There is a real
attempt to tug at our heart strings, but the repeated efforts to do so feel
disappointingly lacklustre and laboured. Russell Floyd in the lead role is
disappointing, the whole thing is dragged out far too slowly, the play doesn't
seem to serve any wider purpose and can't achieve its goal of emotional
manipulation in the way it clearly wants to, and the music is so intensely
dramatic that it only serves to exacerbate the sense that they're falling short
in what they've set out to achieve. Not a good job done from director Steven
Atkinson.

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